Howard N. Spiegler

Member

Howard has been involved in several of the best-known and most important litigations brought on behalf of foreign governments and heirs of Holocaust victims and others to recover stolen artwork or other cultural property, including the following.

Howard represented the Estate of Lea Bondi Jaray to recover a Schiele painting confiscated by a Nazi agent in Austria in the late 1930's. Working with the U.S. Attorney’s Asset Forfeiture Unit, Howard handled a ten year litigation against the Leopold Museum in Austria, which possessed the painting, and the Museum of Modern Art, which had it on exhibition. Settled just before trial, the Estate recovered the full value of the painting, and the work was exhibited at the Museum of Jewish Heritage for several weeks before returning to the Leopold Museum, where a permanent plaque describing the true history of the painting is permanently affixed, as required by the settlement.

Howard was also involved in the recovery by the heir of the famous Jewish art dealer Jacques Goudstikker of 200 Nazi-looted artworks from the Dutch Government and the recoveries on behalf of the Republic of Turkey of numerous valuable antiquities.

He also handled the action brought on behalf of the heirs of Kazimir Malevich, the world-renowned 20th Century Russian artist, to recover Malevich artworks from the City of Amsterdam in the Netherlands. The case is well-known for its interpretation of the Foreign Sovereign Immunities Act, holding that a foreign museum that obtained immunity from seizure of art loaned to an American museum, is not immune from suit based on the loan. The litigation was resolved, resulting in the recovery by the heirs of five important and valuable Malevich paintings, one of which later sold at auction for $60 million.

Howard also handles all types of art transactions, including counseling its clients on international trade issues, loans, museum and private exhibitions, organizing and structuring business entities, trust and estate matters, insurance issues and other matters.

Howard has published widely on art law and related issues. He also has had numerous speaking engagements at various universities and law schools throughout the country, including Columbia, Harvard, New York University and Yale, and throughout the world for the Union Internationale des Avocats (UIA), and other organizations and bar associations, art fairs, museums, auction houses and appraisers.

Among other accolades, Howard has received the Award for Lifetime Achievement in the Defense of Art from the Association for Research into Crimes Against Art (ARCA) and the Prix Monique Raynaud-Contaminé from the Union international des Avocats (UIA). He has served as an officer for at bar associations in the United States and abroad.

Memberships & Associations

  • Former President, Art Law Commission of the Union International des Avocats (2011-2014)

  • New York City Bar Association

    o Former Chair, Committee on Art Law (2004-2007)

  • Editorial Board, Journal of Art Crime

  • International Bar Association

  • American Bar Association

  • New York State Bar Association

Member
hspiegler@kayespiegler.com
(212) 498-6922

EDUCATION

  • Columbia Law School (J.D., 1974)

  • University of Pennsylvania (1969)

ADMISSIONS

  • U.S. Supreme Court

  • U.S. Court of Appeals, DC Cir.

  • U.S. District Court, District of Columbia

  • U.S. Court of Appeals, 2nd Cir.

  • U.S. District Court, E.D., New York

  • U.S. District Court, S.D. New York

  • New York

ACCOLADES

  • The Best Lawyers in America© - Art Law (2021)

  • Thomson Reuters New York City Super Lawyers (2013 - 2023)

  • Award for Lifetime Achievement in the Defense of Art from the Association for Research into Crimes Against Art (ARCA), July 10-11, 2010

  • Prix Monique Raynaud-Contaminé from the Union international des Avocats (UIA), November 4, 2007.

  • Martindale-Hubbell AV® Peer Review Rating
    AV Peer Review Ratings & Client Review Awards | Martindale-Hubbell®

Award Methodology

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Holocaust Restitution: Recovering Stolen Art

Sponsored by the Jewish Nation Fund-USA and featuring Howard N. Spiegler, Member, Kaye Spiegler.

Museum of Jewish Heritage's program on recovering Nazi-looted art.

Howard Spiegler was a guest speaker at the Museum of Jewish Heritage's program on recovering Nazi-looted art. Howard discussed several recovery cases and provided an overview of the ethical and legal issues that are involved.

Nazi-Looted Art and Archives: Recovering and Preserving Jewish Culture

The ravages of the Holocaust and post-World War II led to the theft and disappearance of art, archives, and personal assets. Jonathan Brent, Executive Director and CEO, YIVO Institute for Jewish Research and Howard Spiegler spoke on the quest to recover and preserve these cultural treasures.

Nazi-Looted Art: Unfinished Business

Howard Spiegler participated in a panel discussion on the Nazi plunder of cultural property during Hitler’s regime discussing the efforts on both sides of the Atlantic to locate the looted art and return it to its rightful owners.  The event was sponsored by Ben Uri Art Identity Migration, Rollins College and the Cornell Fine Arts Museum.

Art Title Insurance: What is It and Should You Get It?

Howard Spiegler led a panel of experts, including ARIS Title Insurance, at Art Basel in Miami Beach on the topic of “Art Title Insurance: What is it and Should You Get It?”  The panel discussed claims to faulty title and whether collectors and others should consider the purchase of Art Title insurance as routinely as other types of insurance.

Rewriting History: The Recovery of Nazi-Looted Art

Chair and Chief Executive of Ben Uri Gallery spoke with Howard Spiegler during his talking series on “Rewriting History: The Recovery of Nazi-Looted Art.”  He addressed key points and the complexities involved with spoliation of Nazi-looted art both in the United States and in Europe.

USA: Ancient Mayan Artifact

Howard Spiegler spoke to the press regarding the return of an ancient fragment that was stolen from a thousand-year-old monument in Guatemala, noting that this recovery signified Guatemala’s intention to aggressively pursue the return of artifacts. This relic was an example of the untold numbers of archeological artifacts stolen from sites in Guatemala.